The Mayborn: Where Real Stories Come Alive
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2010 Issue Mayborn magazine page link
 

Letter from the Editor

Cathy Booth Thomas
editor-in-chief


IN THE "AGE OF THE BLOGOSPHERE"when rearranged, regurgitated facts seem to be prized over original reporting, we need journalists telling true-to-life stories more than ever. I'm not talking about memoirs (though Mary Karr keeps churning 'em out!), but history. Dry old history, as written by academics, is taking a pounding in the bestseller lists from journalists-turned-historians who are popularizing our nation's history and finding a new audience. So much for the final days of journalism.

Which is why this year's MAYBORN is dedicated to "The New Historians" — journalists. Five of the writers featured here are rousing storytellers of history: Hampton Sides, Bill Marvel, James McGrath Morris, Bryan Burrough and S. C. Gwynne. All bring history alive without sacrificing the facts, whether it's the story of Martin Luther King Jr.'s assassin (Sides), the Pacific War (Marvel), Joseph Pulitzer (Morris), the "public enemies" of the '30s (Burrough), or the last of the Comanche (Gwynne).

Just how lively history should be is the subject of debate, and not just among academic historians who are jealously watching as journalists such as Candice Millard and David Grann rack up book sales. Hampton and Bryan are already sniping over whether each other's narrative history is a bit too entertaining. Read our lead story by Noah Bunn about Hampton's bestseller, Hellhound on His Trail, and his travails with academia. Let's just say we fan the flames of the controversy. You can witness the fireworks yourself as both are speaking at the Mayborn Literary Nonfiction Conference, too.

Thanks to Writer-in-Residence George Getschow, the conference is a showcase for the best journalists writing history as well as a workshop for the next generation of storytellers. Mayborn is the first conference to encourage journalists to write narrative history with prizes. The Sid W. Richardson Foundation is giving the school $25,000 to establish an annual lecture series in narrative history — another first, according to Dr. Mitch Land, interim dean of the Mayborn School of Journalism.

"We want to be the cradle of future journalist historians," says George, pointing to MAYBORN magazine's historical narrative by graduate student Jayme Rutledge on Cynthia Ann Parker, the kidnapped White Squaw who gave birth to the warrior leader, Quanah. Jayme discovered this story during the Archer City Writers Workshop, another wing of the Mayborn Conference. She had no idea Sam Gwynne's book about Quanah, Empire of the Summer Moon, was coming out this year. "It's what we're all about at the Mayborn: creating a new generation of storytellers," says Mitch.

We're deeply grateful that professionals write deep-dive pieces for us – for free! But we think you'll also appreciate the narratives written by our student authors, such as Sarah Perry who got inside the head of Sports Illustrated writer Gary Smith, a four-time National Magazine Award winner.

PS: The Texas Intercollegiate Press Association knows a good thing when they see it: They recognized us this year for Overall Excellence in general magazines.

 

A place where the known and the not yet know can gather side by side, sharing nonfiction stories and how they got them.
 

Publisher
Mayborn Graduate Institute
of Journalism

Director
Mitch Land, Ph.D.

Mayborn Conference
Writer-in-Residence

George Getschow

Editor-in-Chief
Cathy Booth Thomas

Design Consultant
Wendy Moore

Managing Editor
Dana Barnes

Copy Editor
Sarah Perry

Art/Creative Director
Noah Bunn

Ad Sales Director
Ellen Ritscher Sackett

Production Director
Jayme Rutledge

Staff writers
Dana Barnes
Noah Bunn
Tasha Hayton
Lori Lee
Christina Miralla
Sarah Perry
Jayme Rutledge
Ellen Ritscher Sackett

Contributing Writers
Bryan Burrough
Paula Butturini
S.C. Gwynne
Jim Hornfischer
Paula LaRocque
Bill Marvel
James McGrath Morris

Photographers
Danny Fulgencio
Owen Richards
Jayme Rutledge
Ryan Whittington

Cover Photo
Sam Melhorn The Commercial Appeal of Memphis Mississippi Valley Collection

Special Assistance
Julie Scharnberg

© 2010
Frank W. Mayborn Graduate Institute of Journalism

P.O. Box 311460
Denton, TX 76203-1406
940-565-4564

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themayborn.com

Webmaster

M. G. Ron Johnson
[ webmaster ]

 


 

Buy Now $5.00
The Mayborn 2010 Issue is available from the
Mayborn Graduate Institute of Journalism at UNT.
Please at
940-565-4564 or julie.scharnberg@unt.edu.

FOB
2010 Cover

Q&A with Mary Karr tells George Getschow why she'd rather be happy than a bestselling author, how she summons memories (one clue: Bab-O-Cleanser), why she loathes Jerry Springer-type memoirs – and how she keeps from getting sued.

6 MARY KARR Q&A > In an ever-expanding universe of recover and coming-of-age memoirs, one writer stands out: Mary Karr.

2010 Cover

Book agent Jim Hornfischer compares his job to wildcatting for oil, with lots of dry holes and rarely a gusher. Unless you're the former governor of Alaska, the publishing math can be cruel.

11 CONFESSIONS OF A LITERARY WILDCATTER >

The New Historians
2010 Cover

Hampton Sides releases yet another bestseller – a narrative history of Martin Luther King Jr's assasin – but tells Noah Bunn the divide between academic historians and journalist storytellers-turned historians is as great as ever.

14 HAMPTON'S PLACE > In a world of historians, where does a journalist belong?

2010 Cover

Seen HBA's "The Pacific"? Bill Marvel, who ghostwrote the story of soldier R. V. Burgin, found the job harder than imagined – and a lot more satisfying.

20 THE MASQUERADE > As a ghostwriter, I became an apparition of my former self.

2010 Cover

James McGrath Morris "sees" dead people and nails their riveting stories to the page. His latest bio, about Joseph Pulitzer, required mastering a secret code. Check out his 10 rules for narrative writing.

24 I SEE DEAD PEOPLE: You can, too, if you use the narrative techniques of thsi Pulitzer biographer.

On the Front Lines
2010 Cover

Gary Smith wins National Magazine Awards by dissecting sports figures for Sports Illustrated, but as Sarah Perry discovers, dissecting Gary and his success proves you should read Nietzsche beforehand.

30 SEARCHING FOR GARY SMITH >

2010 Cover

Photojournalists Thorne Anderson, Kael Alford and Sonya Hebert show Tasha Hayton how they capture the moment, whether it's with Iraqi militia planting IEDs or a couple mourning their baby's death.

35 THE ART OF BEING IN THE MOMENT

2010 Cover

Dana Barnes
tackles a ripped-from-the-headlines story – how Texas stole baby DNA – and discovers a distrusting mom, a frustrated scientist, persisten journalists and a military lab in the thick of it.

40 TEXAS DNA SHOWDOWN > Extra: Rebecca Skloot Q&A >

Narratives
2010 Cover

Bryan Burrough tells how his grandfather's Depression-era memories of gangsters Bonnie and Clyde saved his writing career and got him cast opposite Johnny Depp in "Public Enemies."

46 MY NOT-SO-PUBLIC ENEMY: After a bestseller, reality hit.

2010 Cover

S.C. Gwynne dishes about his heady career (Texas Monthly, TIME) while he plots a new course in journalism and launches a book on the Comanche.

50 Thriving in Journalism >

2010 Cover

Jayne Rutledge trips over a story in Archer CIty, makes a find at author Lary McMurty's house, and discovers the tale of the White Squaw, kidnapped by the Comanche 150 years ago.

54 THE WHITE SQUAW: The lost stories of Cynthia Ann Parker & Rachel Parker Plummer

Bookends
2010 Cover

Christina Miralla gives you the high and lows of self-publishing, plus a few warnings.

60 DROWNING IN SELF-PUBLISHING: The highs. The lows. The drama.

2010 Cover

Paula Butturini discovers the hard truth as a first-time author: Get out your checkbook!

63 SELLING MY STORY: One stop at a time.

2010 Cover

Ever find your muse – or a pressed frog – in a book? Ellen Sackett did at Recycled Books.

66 FOR THE LOVE OF BOOKS: Recycled books, records, CDs in Denton, Texas.

2010 Cover

What can writers learn from poets? Plenty, writers Lori Lee.

69 POETS GONE WILD: Precision, Pentameter and the Nonfiction Narrative.

2010 Cover

Q&A: Here's writing coach Paula Larocque's best advice: Be accurate, be clear, be brief.

72 EXPERT ADVICE: America's Writing Coach.


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